The watermark in the lower right corner of the image will not appear on the final print.
Wherein the Light is Rooted Metal Print
by Bill Puglisi
Product Details
Wherein the Light is Rooted metal print by Bill Puglisi. Bring your artwork to life with the stylish lines and added depth of a metal print. Your image gets printed directly onto a sheet of 1/16" thick aluminum. The aluminum sheet is offset from the wall by a 3/4" thick wooden frame which is attached to the back. The high gloss of the aluminum sheet complements the rich colors of any image to produce stunning results.
Design Details
A pastel painting over thin oil wash of a value map on Wallis sanded paper. Depicts a woode stream where light is striking an embankment of exposed... more
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3 - 4 business days
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Artist's Description
A pastel painting over thin oil wash of a value map on Wallis sanded paper. Depicts a woode stream where light is striking an embankment of exposed roots.This painting was picked as one of the finalists in the Plein Air Salon April 2023 Competition
Congratulations! Your painting “Wherein the Light is Rooted” has been selected as an April Top 100 finalist out of 867 paintings. The April PleinAir Salon was judged by Catherine Saks, owner of Saks Gallery in Denver, CO.
Attached is an icon you can share with your paintings on social media, or use in your advertising.
Your painting will also live on the PleinAir Salon website indefinitely in the winners gallery here: https://pleinairsalon.com/april-2023-winners/.
The April winners will be announced on Wednesday, May 31st at 7pm ET. Be sure to add this to your calendar so you can watch the announcement live!
Good Luck!
Have a Wonderful Day,
Kari.
About Bill Puglisi
I began using pastels for my "finished" work when I realized that the pastel studies I was doing for the intended acrylic paintings on canvas were actually more vibrant and energetic and filled with much more movement and spontaneity than any of my finished acrylic pieces. The first pastel landscape that I framed as a finished piece was appropriately titled "Meeting the Path" and was a metaphor for the new direction I was taking. I haven't strayed from that path and continue to to be mesmerized by the beauty of applying pastel to paper. Like the landscapes before me, I tend to let the imagery of my work "grow " organicly from the underpainting upward through a process of layering, paying paticular attention to how light defines form. In...
$101.00
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